A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Linda Hutcheon

A Theory of Parody: The Teachings of Twentieth-Century Art Forms


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ISBN: 9780252069383 | 168 pages | 5 Mb

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  • A Theory of Parody: The Teachings of Twentieth-Century Art Forms
  • Linda Hutcheon
  • Page: 168
  • Format: pdf, ePub, fb2, mobi
  • ISBN: 9780252069383
  • Publisher: University of Illinois Press
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In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect--for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property. Read More Show Less

PARODY AND POSTMODERN STRATEGIES OF SUBVERSION: AN
All literary texts have some theory and ideology in their discourse. Readers who are .. A Theory of Parody: the teachings of twentieth-century art forms. New. the teachings of twentieth-century art forms - WorldCat
A theory of parody : the teachings of twentieth-century art forms. by Linda Hutcheon. Book. English. 1991. New York ; London : Routledge. 12. A theory of parody  Memorialisation, Commemoration and Commodification: Massenet
Drawing on theories of parody and readership, I argue that . 11 Linda Hutcheon, A Theory of Parody: The Teachings of Twentieth-Century Art Forms (New York  Joanne Lalonde - Archipel
art and several Canadian video artists have worked with this subject in relation to figures A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Linda Hutcheon: Theories Of Culture, Ethnicity, And Postmodernism
More recently she has focused on feminist writing and theory, ethnic minority writing, and .. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. The Romantic Imagination: Literature and Art in England and Germany - Google Books Result
A Theory of Adaptation. New York: Routledge, 2006. Print. ---. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. New York: Methuen, 1985. Francesco Berni (1497/98-1535) was born in Lamporecchio, a small
As James Mirollo comments, “By the mid-sixteenth century in Italy almost every habit and A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Parody as Criticism: The Literary Life of Eulalia Meinau - Google Books Result
A Theory of Adaptation (2006) similarly looks at a term much bandied about, but not . A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Bibliography - UvA DARE
The Freudian Body: Psychoanalysis and Art. New York: Columbia UP,. 1986. • Homos. . A Theory of Parody: The Teachings of Twentieth-Century Art Forms.



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